I wrote poems under a different name.
Oronno Ahmed. That is who I was on the page. From Santahar, Bogura. Living in Dhaka. Writing quietly on a Bengali poetry website for years while my real name was busy doing other things. Passing exams. Sitting in offices. Sending job applications. Being someone’s son who was going to be okay.
The poems knew things my real name was not allowed to say.
One of them said it plainly. “জ্বি হুজুর! জ্বি স্যার! জ্বি জনাব!” Yes sir, yes sir, yes sir. The life of a man who has learned to fold himself small for whoever is above him. And underneath that, a line about lifelong dreams getting buried. “আজন্ম লালিত স্বপ্ন ঢাকা পড়ে যায়।” Covered over. Not destroyed. Just covered. Waiting somewhere underneath.
I was a science student until intermediate. After HSC I went to Dhaka for engineering admission coaching. Farmgate. The Omega coaching center. I had hopes. I did not get through to a government engineering university. Private universities were too expensive for my family. I stopped studying for a year. Dropped. Then changed direction entirely and enrolled in business studies.
It was not what I had planned. But I found genuine interest inside it. First class in graduation. First class in post graduation. Then four years of CA articleship. Long hours, serious responsibility, modest pay, real knowledge. I was building something, I believed. A qualification that would justify the years. That would repay the cost. That would finally deliver the life everyone was quietly waiting for.
Nobody said it loudly. That is the thing about this kind of pressure.
My parents never demanded anything. The relatives never issued instructions. But all of them together, through their silences and their careful hopes, created something heavier than any spoken demand. A boy who gets good marks is praised. A boy who does not is told he is ruining his future. The lesson arrives early and settles deep. You study because you are afraid of what happens if you do not. Not because you are curious. Not because it is taking you somewhere you actually want to go. Because disapproval is a weight you do not want to carry.
The CA exams cost money my father did not easily have. He had retired from his government job and gone back to work at a company just to keep supporting us. I knew this. I sat for the exams and failed some of them repeatedly. Each failure meant more fees. More time. More of my father’s quietly spent money. We never talked about it directly. It sat between us unspoken, like most things in our family. Eventually I stopped sitting for the remaining exams. Not because I gave up. Because I could not bear to cost him any more.
I told myself I would return to it when I had enough. When there was room. That is a sentence that can wait forever if you let it.
Meanwhile, Oronno Ahmed was writing.
A poem from 2005, written when I was still young, still hoping. A poem from 2007 about a dream that becomes a face that becomes something you cannot escape. A poem from 2015 about Raktadah Beel in Santahar, about returning, about the pull of a place that holds your earliest self. Poems about rain, about tea going cold on a table, about a woman on the footpath burning with fever while the city moves past her without slowing down.
These were not exam answers. These were not qualifications. Nobody was going to give me a job because of them. No relative was going to nod with satisfaction and say, see, this is what we hoped for.
But they were the most honest things I was making.
I think about those years sometimes. The CA articleship, roughly twenty four to twenty eight. The years most people use to try things, make mistakes, find out what they are made of. I was studying to pass. Studying because the alternative, the blank uncertainty of not having the certificate, felt more frightening than the studying itself. And somewhere on the side, quietly, writing poems under a name that was not mine.
The first class results. The family celebrated genuinely. That was real and I was grateful. But celebration in my experience quickly became expectation. The achievement was acknowledged and then immediately became the new floor. The question underneath everything remained the same. Now what? When does the good job come? When does life become easier?
When I finally got my first job after qualifying, I competed against a hundred and forty candidates. Written exam, then viva. I was taken on at twenty thousand taka a month. I knew that someone with the right reference could walk in at thirty five thousand without facing a single interview. That is simply how the system works. I had no such connection. I had my qualification and my hope.
Three months later the company collapsed.
I could not tell anyone for a long time. I kept going to the office. No salary. Borrowed money. Sent applications. Pretended. The fear of saying it out loud was bigger than the situation itself. Because the situation was not just about a job. It was about all the quiet hope that had been placed in me. My mother, who had always said she wanted nothing except for me to be happy. My father who had gone back to work after retirement so I could finish. The neighbors who had watched. The relatives who had compared.
I had studied hard for all of them. And the certificate had not done what it was supposed to do.
Here is the cost I want to name clearly.
Not the money. Not the years. The specific thing that gets lost when you study for approval rather than for yourself.
You lose the thread back to your own curiosity.
The boy who read Dostoevsky and Tagore and Jules Verne and got excited and wanted to share what he found. The boy who wanted to write a novel, a poem, a rainy day feeling. He did not disappear. He just went quiet. He wrote under a different name because his real name had other responsibilities. He kept the poems in a place where the approval economy could not reach them.
That split, between the name that performs and the name that creates, is what studying for approval eventually produces. You become two people. One who does what is expected. One who does what is true. And for most of us, the first one takes up more and more space until the second one is almost completely silent.
Oronno Ahmed is still on that website. Eight years and seven months of poems. Written in the gaps between jobs, between bus rides, between one salary and the next.
He wrote because he had to. Not for a grade. Not for a job. Not for anyone’s quiet hope.
Just because it was the most honest thing he could do with what he had.
That is the education nobody offered me.
And the one I am still trying to give myself.
